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THE ORPHAN TRAINS

It was midnight in the deep cedar woods of Oregon and The Orphan Trains were lost.

            “We had only been in Oregon a few days,” Wolff said, “Amanda had quit her corporate job a month before. We had both just sold our cars on ebay and decided to make a life of songwriting. The plan was to write meaningful music for the radio-weary ears of the world. We had wind in our blood and wings in our lungs. Then we went hiking.”

The Orphan Trains had hiked for hours, hoping to circle back to the trailhead, even after the trail went completely black.

            “On our way into the park, five hours earlier,” Amanda said, “I had seen a sign that showed a huge picture of a bear. It said: BEWARE OF BEARS. Beside the bear sign was a picture of a Cougar. That one said: BEWARE OF LARGE CATS. Wolff just laughed.”

            Eventually, The Orphan Trains came to a gravel road which ran between two steep and shadowy embankments. A sliver of moon haunted the sky.

            “I started singing,” Amanda said. “My thought was that if we sang, the bears would leave us alone. I had just written a song that morning about a foster child named Jenell who was lost in her life, so to speak. Well, I sang that song.”

Wolff didn’t think singing Jenell was such a great idea.

            “The song is too beautiful,” he said. “I was sure it would draw the bears right over to us. Not only that, it has a very feline-friendly line, a line about how the little girl is really a big fan of jungle cats.”

            The line is When the circus came to town, you rode on an elephant, but in your secret heart, you loved the lion best…

            “I suppose the line is a bit feline-friendly,” Amanda said. “But Wolff didn’t have a better solution. When I finished singing Jenell, he started singing On The Night You Were Born, which, I must admit, is my favorite of his songs. HOWEVER, he howls in that song. He howls like a big ol’ Georgia dog. And we all know that in the dark woods there are creatures that communicate with howls.”

            “I don’t remember seeing one sign that said: BEWARE OF WOLVES,” Wolff said. “Not one.” 

            So, The Orphan Trains compromised and sang their namesake song, a song about two orphans, Alfred and Emma, who are taken from the streets of New York City and sent west on a train, two children lost in the woods of homelessness, poverty and starvation, who, through ferocious perseverance, eventually find their way home.

            “We brought an album out of those woods,” Amanda said. “And we made it home without encountering a single cougar or bear.”

            “They were out there,” Wolff said. “They just laid down in their pine needle beds and listened to our songs. There was no way they could eat us. They were too busy listening.”

            Three months later, THE ORPHAN TRAINS gave birth to their debut album: On The Night You Were Born.

While touring with their new album, The Orphan Trains have dropped in for live performances on radio shows and performed with great singer/songwriters, including folk legend Danny Schmidt. In May, Amanda won 3rd Prize at the SUSQUEHANNA MUSIC FESTIVAL'S SONGWRITING CONTEST. And they’ve been garnering beautiful reviews from Portland to Port St. Lucie, where NPR’s Willi Miller said their music, “Took me way back to the old kind of folk music (Woody Guthrie & Bob Dylan). The music is great! People are going to enjoy this.”

In additon to performing at Festivals, Listening Rooms and more traditional venues, The Orphan Trains have performed at art gallery openings, house concerts & in a nursing home. They have played live on WLRN in Miami, WJBW radio in Stuart, FL and WTTB radio in Vero Beach. Their songs are currently being played at independent radio stations from Miami to Vermont.

 


AMANDA BIRDSALL

In the middle of working on a doctorate in psychology, halfway through an Adult Psychopathology class, Amanda Birdsall looked down at her notebook. Instead of listening to the lecture, she had completely filled the margins with song lyrics.
 
“When I saw those songs crowded into the margins like little orphans shoved into a hallway and forgotten, I stood up and walked out of class. I stopped by my dorm room and grabbed my guitar. I abandoned everything else.”
 
Then Amanda drove. She made it all the way to Canada where she wrote songs and worked on organic farms in exchange for a cot and all the vegetables she could eat.
 
 “It was a mystical time for me,” Amanda says. “I was moving the earth with my hands all day and writing songs by candle-light.”

Amanda returned to America and took a corporate job, but it wasn’t long until the songs started calling her back into their world. She met Wolff Bowden, packed her Master’s Degree in a box, sold her car on ebay, and moved to Oregon where The Orphan Trains were born.

In spite of being a long way from her old life, Amanda’s lyrics often allude to her previous career in counseling and crisis services: a little girl lost in the Child Welfare System; a runaway bride in New Orleans; an old woman knitting rainbow socks for her last living friend.

A lifelong musician, Amanda first picked up the violin at age 6, the piano at 8, and the guitar at 19. Prior to forming The Orphan Trains, she recorded two solo studio albums and a live CD. Amanda has interviewed and performed live on NPR. She won 3rd prize at this year’s Susquehanna Music and Arts Festival’s Songwriter Contest, and was a finalist in the Minnesota Folk Festival's 2002 New Folk Songwriting Contest. She is currently recording her fourth solo CD and second Orphan Trains CD. 

 


WOLFF BOWDEN

When his Grandfather, "Hoss" died, Wolff Bowden drove through the night to Manchester, Georgia and arrived at the end of the funeral. Relatives from as far away as Texas had already laid claim to most of his Grandfather’s estate, including his horses, rifles and saddles. Even his hats. His cabin had been stripped almost bare. All that remained was a guitar and a dog.

Wolff didn’t want any inheritance. He was only seventeen. But, his Great Aunt Charlotte begged him to take his Grandfather’s dog.

“Her name’s Hobo,” Aunt Charlotte said. “But Grandpa called her ‘Bo’ and she likes to sit and listen to a little bit of guitar.”

“But I don’t play the guitar. I don’t even have a guitar.”

“Well, the guitar comes with her.”

“You mean if I take the dog, I also get Grandpa’s guitar?”

“Yes.”

Wolff rode home to Florida with the dog beside him and the guitar in the back seat. A few weeks later, Wolff learned that Bo could sing. Her high-howling, as he calls it, inspired some of his own. And by the time Bo died, Wolff could play a little bit of guitar.

Wolff Bowden grew up in the cypress swamps of Chuluota, Florida, swimming with moccasins, dancing with dragonflies, absorbing the art of the wild. He was named ARTEXPO ARTIST OF THE MILLENNIUM in Miami for his mixed-media paintings which are created using mineral pigments and high-gloss acrylic. In addition to being named ARTIST OF THE MILLENNIUM, Wolff has also won BEST IN SHOW and First Place at several Art Exhibitions. Wolff has sold hundreds of paintings to collectors, worldwide and is represented in galleries from Miami to Oregon. His famous collectors include baseball legend Andre Dawson and Angela’s Ashes author Frank McCourt. His poetry has appeared in dozens of literary journals, including The Sarasota Review, The Madison Review and Folio. He has booked a gig with former poet laureate Robert Pinsky and won multiple writing awards. His poetry collections are “Orphanage of Imagination” (2002) & his second collection “Heavyweight Champion of the Night” (2008). Wolff’s poem “Into The Day of Saturn” was recently quoted in a horoscope by renowned astrologer Rob Brezsny. To learn more, please visit: WWW.WOLFFANTASTIC.COM

 

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